Five cards from the drawer.

Each card matches a crate in the archive. Numbers are sequential by accession date, not importance. Photos are staged or cropped to remove identifying marks — gallery logos, product packaging, named executives.

When we quote new work, we reference similar cards in conversation: not as case studies with guaranteed results, but as parallels in shape and filing discipline. Ask us which accession resembles your brief when you write.

The Proof Wall carries live pins during active jobs. The catalogue carries closed jobs. Neither lists logos for their own sake. For methodology detail, read the Hangar and Fittings pages.

Enquiries: [email protected] · +65 6690 3847.

When an engagement closes, the studio lead writes a one-paragraph accession note: industry, fitting shape, bays walked, languages filed, stewardship scheduled or not. Legal reads once for redaction. Finance attaches the crate number. Only then does a card fan into the public drawer. That workflow delays marketing but prevents leaks — a trade we accept.

Enterprise teams sometimes ask for three additional redacted PDFs beyond the five public cards. We provide under mutual NDA after scoping — not from this page. Cards never show live campaign URLs, only studio photography and generic industry tags. If you recognise your own anonymised work, tell us; we will tighten redaction further.

Accession numbers encode year and sequence — not client size. ACC-2025-112 is not more important than ACC-2026-008; it simply closed earlier. Industry labels are broad on purpose. "Luxury retail reset" could describe a watch house or a furniture maker; we keep detail in the archive, not on the public card.

Photos are chosen for texture — pin board, type specimen, concrete floor — rather than product glamour. That matches how we evaluate briefs. We care about proof surfaces and filing clarity more than hero imagery supplied by your last agency.

If you need references for procurement, we can provide redacted PDFs under NDA after a scoping call. The public catalogue is intentionally incomplete — drawer B-14 holds deeper files enterprise teams sometimes request. Cards rotate when engagements close, not on a marketing calendar. Redaction review happens before any card publishes; numbers retire when a card leaves the public drawer.

Cards are not ranked by revenue. A small proof session appears beside a six-month retainer because shape matters more than size when you are choosing a fitting. Photography on cards uses studio props when client assets cannot be shown — type specimens, pin boards, courtyard light — because process authenticity matters even when client names vanish. Ask hello@ which accession resembles your brief before you visit; do not choose from photos alone.

The stack order on mobile is chronological by accession, not importance — swipe through all five before comparing accession numbers to your RFP checklist. Cards link to methods, not outcomes — read Hangar and Fittings before you assume a photo represents your industry.

When you describe a brief, we often say "closest to ACC-2025-097" or "proof session like ACC-2026-008." That is not a promise of identical outcomes — markets differ — but it tells you which bays we will open first and how many revision rounds the packing list will carry. SaaS entry cards usually stop at BAY 03; healthcare cards often pause in BAY 03 for compliance columns before production.

Luxury retail cards mention bilingual stewardship because caption drift appears in partner brochures months after launch. Museum cards mention yard audits because membership campaigns sprawl across email, print, and on-site signage. Logistics cards emphasise dealer PDFs because industrial buyers read specs before brand stories. Use the card shape, not the photo, when you evaluate fit.

If procurement requires named references, we provide them under NDA after mutual consent — never on this public drawer. The five cards exist so strangers understand our filing discipline before they email hello@. They are not a substitute for a scoping call, and they are not ranked by fee or fame.